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GAM WRIT ERSDiscovery of Gambian Literature and Publications |
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The King and the Guewel: A Ramadan Fairytale #1
Saturday, September 13, 2008
By Amran Gaye (Baltimore, USA)
Once upon a time, before Gambia was Gambia, there stood surrounding the river which is now called the river Gambia a large Kingdom. It is said by the guewel, the carriers of our oral history, that this Kingdom was so wondrous in its treasures, its King so wise and just, that men came from all over the world to behold its treasures and learn from him. It is said that the people of the Kingdom were happy under his rule, and commerce flourished as it never had before, and all was sumptuous as in a golden age. Comments: Pls identify yourself
There are 4 comments - add your comment Jainaba Sarr - Rhode Island, United States - Wednesday, October 08, 2008 4:46 PM Wow! An exquisitely written story. Caught my attention from start to end. Great work! Anonymous - Saturday, May 16, 2009 1:17 PM Great story, great writing!!! I love Gambia The story although fictional is compelling reading. The writer it seems mixed up two traditions which at the heart of the message are in conflict.
A Muslim King who practises fasting at the same time engages in blasphemous act of unjust ruler ship and tyranny. This is kind of portrayal is stereotypical Islamic identity commonly seen in Senegalo drama tradition. The writer's intention is not to place a Muslim ruler in an ugly light, since at the same time he featured the king's son as a good, kind and upright brave young man who later took vengeance on behalf of the people. The similitude is that of the Qur'anic verse "we take the dead from the living and the living from the dead..." meaning, a complete evil person can gave birth to a righteous offspring, and vice versa. The troubling part of the story is that, the period the storyteller wish to depict is a time frame when Islam was never in the region. It would have been much compelling if he make use of the animist heritage which also has good and kind men as well as evil and tyrants. Personally, I enjoy the story although still disturbed by the culture of placing religious characters in a bad light. The story although fictional is compelling reading. The writer it seems mixed up two traditions which at the heart of the message are in conflict.
A Muslim King who practises fasting at the same time engages in blasphemous act of unjust ruler ship and tyranny. This is kind of portrayal is stereotypical Islamic identity commonly seen in Senegalo drama tradition. The writer's intention is not to place a Muslim ruler in an ugly light, since at the same time he featured the king's son as a good, kind and upright brave young man who later took vengeance on behalf of the people. The similitude is that of the Qur'anic verse "we take the dead from the living and the living from the dead..." meaning, a complete evil person can gave birth to a righteous offspring, and vice versa. The troubling part of the story is that, the period the storyteller wish to depict is a time frame when Islam was never in the region. It would have been much compelling if he make use of the animist heritage which also has good and kind men as well as evil and tyrants. Personally, I enjoy the story although still disturbed by the culture of placing religious characters in a bad light.
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